For Murder Mubarak, a whodunnit draped in Delhi high society, the brief was clear: hide something sinister beneath the surface of sophistication. I contributed as Creative Producer and Motion Designer, helping develop the title design and packaging for the film’s identity.

The design played with duality: opulence and rot, celebration and suspicion. Each character slate became its own theatrical freeze — a portrait of charm, hiding motive. It was a dance between polish and poison, and we made sure the type told its own story.